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Herbie Hancock: Man-Child Speakers Corner LP Columbia PC 33812

9869

28,99 €TTC

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Description du produit

Disque vinyle de 180 grammes, Speakers Corner Records, fabriqué en Allemagne. Pure analogue, pressage et mastering audiophile à partir de bandes originales analogiques de l'époque. Maison d'édition d'origine : Columbia. Conditionnement : 1 disque vinyle 33T, pochette cartonnée simple (poids 350gr/m2) et sous-pochette doublée. Disques vinyles fournis par Planète Disque sont emballés dans un carton robuste avec intercalaires de calage et une pochette plastique luxueuse en PVC.

Ci-dessous, une description en anglais de la maison Speakers Corner Records :

"Man-Child" - Bud Brisbois (tp); Garnett Brown (tb); Dick Hyde (tuba, btb); Wayne Shorter (ss); Bennie Maupin (ss, ts, saxello, bcl, fl); Jim Horn (saxes, fl); Stevie Wonder (hca); Herbie Hancock (keyb); David T. Walker (g); Wah Wah Watson (g, voice bag, synth); Henry Davis (el-b); James Gadson (dr) Bill Summers (per); a.o.

After his early avant-garde years with Blue Note Records, Herbie Hancock achieved much success with pop music fans by gradually turning towards a mixture of Afro-American styles in which he combined soul, jazz and funk. Having composed the soundtrack to Bill Cosby’s animated children’s show "Fat Albert and the Cosby Kids" and released a popular family-orientated album entitled "Fat Albert Rotunda", Hancock stated that instead of looking for jazz musicians who could play funky music, he had searched for funk musicians with a feeling for jazz. That this concept functions only too well is demonstrated in the funky album "Man-Child", which features such brilliant jazz musicians as Wayne Shorter, Bennie Maupin and Ernie Watts. But wait! There’s no narcissistic showing off here as in a jam session. The whole band performs as one, playing concentrated grooves around Hancock’s carefully intertwined electronic sounds. The result is a fast-paced funky style, due to the collective efforts of the band, although each member is given ample opportunity to show off his prowess in short solo interludes and thus delight the listener with his unique style.

Recording: July 1975 at Wally Heider Recording Studios, San Francisco / Village Recorders, Los Angeles / Funky Features, San Francisco / Crystal Studios, Los Angeles
Production: David Rubinson & Friends Inc. and Herbie Hancock

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