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Hubert Laws: Afro Classic Speakers Corner LP CTI 6006

9901

28,99 €TTC

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Description du produit

Disque vinyle de 180 grammes, Speakers Corner Records, fabriqué en Allemagne. Pure analogue, pressage et mastering audiophile à partir de bandes originales analogiques de l'époque. Maison d'édition d'origine : CTI. Conditionnement : 1 disque vinyle 33T, pochette cartonnée ouvrante (poids 350gr/m2) et sous-pochette doublée. Disques fournis par Planète Disque sont emballés dans un carton robuste avec intercalaires de calage et une pochette plastique luxueuse en PVC.

Ci-dessous, une description en anglais de la maison Speakers Corner Records :

"Afro Classic" - Hubert Laws (fl); Don Sebesky (arr); Fred Alston, Jr. (bassoon); Bob James (el-p); Gene Bertoncini (g); David Friedman (vib); Ron Carter (b); Airto, Richie 'Pablo’ Landrum (perc); Fred Waits (dr)

In the Seventies, fusion was a popular pigeonhole for music somewhere between jazz and pop. At the same time it was also an often used, belittling term employed by critics and representatives of 'pure' jazz, who never wanted to listen to it, let alone include any of the numerous LPs in their collection.
Forty years later, the dust has settled. Flautist Hubert Laws’ recordings not only for the Atlantic but also the CTI labels are treasured – especially the present LP, which was produced by the 'Master of Sound' Creed Taylor. Now these crossover numbers from the worlds of classic, jazz, pop and easy listening are available once more. Discover, for example, Al Kooper’s composition "Fire And Rain" (more familiar are the versions from Blood, Sweat & Tears and James Taylor), the famous theme music from the film "Love Story", and three classical compositions by J. S. Bach and Mozart. All have been given a facelift and with such super sidemen ranging from Ron Carter to Bob James and a superb Freddie Waits on the drums, they are a real treat.
So cast aside any preconceptions and enjoy this meticulous production and the clear reproduction on vinyl.

This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. All royalties and mechanical rights have been paid.

Recording: December 1970 at Rudy Van Gelder Studio, Englewood Cliffs, NJ, USA
Production: Creed Taylor

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