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Al Green: Call Me Speakers Corner LP Hi XSHL 32077

9924

28,99 €TTC

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Disque vinyle de 180 grammes, Speakers Corner Records, fabriqué en Allemagne. Pure analogue, pressage et mastering audiophile à partir de bandes originales analogiques de l'époque. Maison d'édition d'origine : Hi Records. Conditionnement : 1 disque vinyle 33T, pochette cartonnée simple (poids 350gr/m2) et sous-pochette doublée. Disques vinyles fournis par Planète Disque sont emballés dans un carton robuste avec intercalaires de calage et une pochette plastique luxueuse en PVC.

Ci-dessous, une description en anglais de la maison Speakers Corner Records :

"Call Me" - Al Green (voc); James Mitchell (bs, arr); Andrew Love (ts); Jack Hale (tb); Wayne Jackson (tp); Mabon Hodges (g); Charles Hodges (keyb); Archie Turner (p); Leroy Hodges (b); Howard Grimes (dr); The Memphis Strings; a.o.

What connects celebrity chefs and pop stars is their fine nose for ingredients, especially when hot and spicy ones are mixed with milder elements to create an aromatic result. A combination of 'sweet' and 'funky' is the secret of Al Green’s gloriously sentimental and sensual pop songs, which in the sexually free Seventies were often referred to as »songs to make love by«. What swings along gently is, however, Al Green’s subtly controlled falsetto, which he can tone right to the threshold of audibility. But watch out! This music belts out some fiery sounds right from the very first number. The sinuous, swinging request in the brilliant hit single "Call Me", the relaxed and groovy "Stand Up", with its sharp wind interjections which demand one’s unerring attention, are typical for Green’s style, just as is his almost disturbing capability to gain comfort from loneliness ("I’m So Lonesome, I Could Cry"). This rhythmically powered music can best be described as light, intensive, dynamic but never flashy ("Your Love Is Like The Morning Sun"). It finds its earthly culmination in soul ("I’m Waiting") and spiritual depth.

This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. All royalties and mechanical rights have been paid.

Recording: 1973 at Royal Recording Studios, Memphis, TN, by Willie Mitchell
Production: Al Green and Willie Mitchell

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