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Wild Bill Davis And Johnny Hodges In Atlantic City Speakers Corner LP RCA LSP-3706

9928

28,99 €TTC

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Description du produit

Disque vinyle de 180 grammes, Speakers Corner Records, fabriqué en Allemagne. Pure analogue, pressage et mastering audiophile à partir de bandes originales analogiques de l'époque. Maison d'édition d'origine : RCA. Conditionnement : 1 disque vinyle 33T, pochette cartonnée simple (poids 350gr/m2) et sous-pochette doublée. Disques vinyles fournis par Planète Disque sont emballés dans un carton robuste avec intercalaires de calage et une pochette plastique luxueuse en PVC.

Ci-dessous, une description en anglais de la maison Speakers Corner Records :

"In Atlantic City" - Johnny Hodges (as); Wild Bill Davis (org); Lawrence Brown (tb); Bob Brown (ts, fl); Dickie Thompson (g); Bobby Durham (dr)

In the Sixties, the two befriended musicians Wild Bill Davis and Johnny Hodges often met up for jam sessions, at galas with Duke Ellington, and in various studios to make recordings for several record companies. However, their live concerts in Grace’s Little Belmont in Atlantic City in 1966 were the declared highlights for critics, the public and musicians alike. This is not only proved by the masses of people who swarmed to the club, which was always jam-packed, it is also reflected in the sales figures of their recordings.
On the present recording, the listener is offered a first-class programme of own compositions, Duke Ellington hits, and head arrangements. "Good Queen Bess" and "Rockville" are quite exceptional, and the other titles are hardly less enthralling. The rhythm group is hotter than hot with Lionel Hampton’s Bobby Durham on the drums, and the two grand old men of swing really let themselves go. The trombonist Lawrence Brown, musical buddy from the Duke Ellington Orchestra, grooves in the background and we can be happy (thanks to the producer Rad McCuen!) that we can still thoroughly enjoy this great disc almost 50 years later.

This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. All royalties and mechanical rights have been paid.

Recording: August 1966 live at Grace's Little Belmont, Atlantic City (USA), by Ed Begley
Production: Brad McCuen

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