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Elvis Presley: From Elvis In Memphis Speakers Corner LP RCA LSP-4155

9930

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Description du produit

Disque vinyle de 180 grammes, Speakers Corner Records, fabriqué en Allemagne. Pure analogue, pressage et mastering audiophile à partir de bandes originales analogiques de l'époque. Maison d'édition d'origine : RCA. Conditionnement : 1 disque vinyle 33T, pochette cartonnée simple (poids 350gr/m2) et sous-pochette doublée. Disques vinyles fournis par Planète Disque sont emballés dans un carton robuste avec intercalaires de calage et une pochette plastique luxueuse en PVC.

Ci-dessous, une description en anglais de la maison Speakers Corner Records :

"From Elvis In Memphis" - Elvis Presley (voc, g, p); Ronnie Milsap (p); Bobby Emmons (org); Reggie Young (g, el-g); Tommy Cogbill, Mike Leech (b); Gene Chrisman (dr); The Memphis Horns and background vocals; a.o.

A record by Elvis, produced in Tennessee. What’s so special about that? Surely everyone knows that the lorry driver from the Southern State sobbed his early songs into the local radio microphones. But "Elvis in Memphis" is far more than just one of around 40 albums which the King of Rock’ n’ Roll produced during the course of 35 years. »This marks what is probably the most impressive comeback in the entire history of pop music«, enthused the normally reticent New York Times.
What had happened? In 1969, after a 14-year meteoric career in show business and movies, and an exemplary PR campaign, Elvis returned to his hometown to record these songs which, in their style, are reminiscent of those recorded in the Fifties for Sun Records. Alongside the lavishly mixed pop and blues numbers ("Power Of My Love") and country sound ("I’m Movin’ On"), there is also one of the greatest chart-busters and heart-breakers of a whole generation: "In The Ghetto".
There is certainly no room for discussion about the value of this collectors’ item – the astronomical price for a good secondhand copy speaks for itself!

This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. All royalties and mechanical rights have been paid.

Recording: 1969 by Al Pachucki
Production: Felton Jarvis and Chips Moman

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