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Glenn Gould: The Bach Keyboard Concertos Speakers Corner LP Columbia 3LP

9825

74,99 €incl. BTW

Wordt verzonden op: 29/06/2017

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Omschrijving

LP met een gewicht van 180 gram, gemaakt in Duitsland door Speakers Corner Records. Puur analoog, audiofiele mastering vanaf de originele mastertapes. Originele uitgever: Columbia. Leveringsomvang: 3 x 33 toeren langspeelplaat in een LP box met boekje en gevoerde binnenhoezen. Planète Disque verpakt iedere LP zorgvuldig in een stevige doos met opvulkartons en een luxe plastic buitenhoes.

Onderstaande productbeschrijving in het Engels door Speakers Corner Records :

"The Bach Keyboard Concertos" J. S. Bach: Keyboard Concertos Nos. 1-5 and 7 / L. v. Beethoven: Piano Concerto No. 1 - Glenn Gould, the Columbia Symphony Orchestra conducted by Vladimir Golschmann and Leonard Bernstein

The attempts that have been made to describe Glenn Gould’s complex personality are endless in number, as are his surprising and often eccentric interpretations. Whether he is considered to be a sensitive maniac, neurotic individualist or uncompromising genius – Gould polarises, provokes and fascinates us long after his death in 1982. As early as 1964 the Canadian pianist ceased to give concerts, since he found appearing before an audience completely unacceptable and preferred to concentrate on studio recordings.
Way in front of composers of the Viennese Classical era, which he did not take particularly seriously – although his performances keenly reflect Beethoven’s rhythmicity – comes his personal deity: Bach. Gould’s notorious strictness gives form to the minutest of figure in the score. He weaves his way through Bach’s music and thereby articulates its tightly knit and multi-facetted depths. No lecturing keyboard proponent this, but a creative co-composer who imbues the spirit of the music with life and sonority. Upon the release in 1980 of the 80th Birthday Edition with its wealth of visual and tonal material, the music journalist Werner Theurich wrote that »no one had ever played more raptly, or more intensively. That Gould’s performances are nothing but heavenly can be seen and felt. The rest is pure music.«

Recording: April 1957, April / May / July 1958, May 1967 and February 1969 at Columbia's 30th Street Studio, New York City, by Fred Plaut
Production: Andrew Kazdin and Howard H. Scott

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