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Bartok: Piano Concerto No. 1 Anda / Fricsay Speakers Corner LP DGG SLPM 138708

9854

28,99 €incl. BTW

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Omschrijving

LP met een gewicht van 180 gram, gemaakt in Duitsland door Speakers Corner Records. Puur analoog, audiofiele mastering vanaf de originele mastertapes. Originele uitgever: Deutsche Grammophon. Leveringsomvang: 1 x 33 toeren langspeelplaat in een LP cover (350gr/m2) met gevoerde binnenhoes. Planète Disque verpakt iedere LP zorgvuldig in een stevige doos met opvulkartons en een luxe plastic buitenhoes van PVC.

Onderstaande productbeschrijving in het Engels door Speakers Corner Records :

Béla Bartók: Concerto for Piano and Orchestra No. 1, Rhapsody for Piano and Orchestra, Op. 1 - Géza Anda and the Radio Symphonie Orchester Berlin conducted by Ferenc Fricsay

Between Bartók’s Rhapsody for Piano and his First Piano Concerto lie 22 years of development, a struggle to find subject matter, form and his own musical language. While the Rhapsody from 1904 is dominated by a late-Romantic tone, which delights in a free, craggy and capricious feast of affable harmonies, the Piano Concerto reflects contemplation and a delving into the formal strictness of the classical three-movement concerto form. Rather less concerto-like and unconventional is, however, the use of the piano as a percussion instrument, which after just a few bars on the winds, hammers out an unrelenting staccato against the harsh and dissonant orchestra. In the slow movement too the piano is predominantly employed as a percussion instrument that, like the pendulum of a clock, rhythmically bulldozes on against the cheerless, bleak winds. Wild emotion predominates in the Finale. Stormy, insistent figures in the piano are answered by the orchestra with animated blows, but the quick flashes of melodies cannot establish themselves and are slashed to pieces as if caught in a storm.
This uncompromising severity presents an enormous challenge that is mastered with aplomb by Géza Anda and the RSO Berlin under Ferenc Fricsay. Bartók’s musical language is milder and more accessible in his Second and Third Piano Concertos, which are now available in a new pressing from Speakers Corner Records (DGG 138 111).

Recording: October 1960 at Jesus-Christus-Kirche, Berlin, by Günter Hermanns
Production: Otto Gerdes

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