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Schubert: Octet in F major The Vienna Octet Speakers Corner LP Decca SXL 2028

9913

28,99 €incl. BTW

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Omschrijving

LP met een gewicht van 180 gram, gemaakt in Duitsland door Speakers Corner Records. Puur analoog, audiofiele mastering vanaf de originele mastertapes. Originele uitgever: Decca. Leveringsomvang: 1 x 33 toeren langspeelplaat in een LP cover (350gr/m2) met gevoerde binnenhoes. Planète Disque verpakt iedere LP zorgvuldig in een stevige doos met opvulkartons en een luxe plastic buitenhoes van PVC.

Onderstaande productbeschrijving in het Engels door Speakers Corner Records :

Franz Schubert: Octet in F major, D 803 - The Vienna Octet: Willi Boskovsky, Philip Matheis (v); Günther Breitenbach (va); Nikolaus Hübner (vc); Johann Krump (b); Alfred Boskovsky (cl); Josef Veleba (h); Rudolf Hanzl (bs)

Schubert’s light and flowing Octet in F major is of great importance in both an historical and a compositional aspect. Thanks to its combination of string and wind instruments, it is akin in character to the cheerful divertimento and the contemplative serenade. That the commissioned work is very similar to Beethoven’s popular Septet op. 20 with regard to the individual movements and the key relationships is by no means accidental – that was what was ordered. Schubert occupied himself with the almighty giant’s composition, though for a different reason: with his own Octet he wanted to »pave his way towards writing a great symphony«, whose dramatic force and form is clearly suggested here.
Steeped in the musical traditions of the city on the Danube, the Vienna Octet is the ideal ensemble to perform this work. Led by Willi Boskovsky, who became world famous as concertmaster of the Vienna Philharmonic Orchestra and conductor of the New Year’s Day Concerts, the ensemble plays with great agility, joy and togetherness from the first note on. The sound of each individual instrument comes over vividly in a natural, chamber-music-like atmosphere.

This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. All royalties and mechanical rights have been paid.

Recording: March 1958 at Sofiensaal, Vienna, by James Brown
Production: John Culshaw

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