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Beethoven: Sonatas For Piano & Cello Speakers Corner LP Philips PHS 2-920

9872

49,99 €incl. BTW

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Omschrijving

LPs met een gewicht van 180 gram, gemaakt in Duitsland door Speakers Corner Records. Puur analoog, audiofiele mastering vanaf de originele mastertapes. Originele uitgever: Philips. Leveringsomvang: 2 x 33 toeren langspeelplaten in een LP gatefold cover (350gr/m2) met gevoerde binnenhoes. Planète Disque verpakt ieder album zorgvuldig in een stevige doos met opvulkartons en een luxe plastic buitenhoes van PVC.

Onderstaande productbeschrijving in het Engels door Speakers Corner Records :

Beethoven: Sonatas for Piano and Violoncello Nos. 1-5 - Mstislav Rostropovich (vc) and Sviatoslav Richter (p)

Possessing a complete recording of Beethoven’s Cello Sonatas gives far more satisfaction than merely having the set to fill the shelves. On the one hand it offers one the opportunity to compare Beethoven’s art of composition at various stages in his life. And on the other hand one can already recognise in the early Opus 5 how he breaks with the traditional sonata in which the solo instrument merely provides an accompaniment and treats the two instruments as equal partners in the creation of the movements.
Richter and Rostropovich devote themselves to their task with verve and freshness. The two early works are marked by the rich and full sound of the cello and an elegantly performed piano part, while the two Russian musicians foster a contemplative, introverted style in the A major Sonata. This respectful approach also lends itself well to the C major Sonata where the free, fantasia-like character with wide-ranging shading is shown off to advantage. Beethoven’s break with the traditional sonata-form layout is carried to extremes in the D major Sonata, where the cello ignores the powerful theme on the piano in the first movement. The work’s brittleness is effectively revealed by the two musicians in the transition from the sensitive Adagio to the austere, freely worked final Fugato, while their resolute and analytical approach to the work and technical prowess on their instruments is highly rewarding.

This Speakers Corner production was manufactured 100% analogously, with the use of the analogue mastertape and analogue mastering. All royalties and mechanical rights have been paid.

Recording: June 1962 at Rosenhügel Studios, Vienna, and July 1961 at Walthamstow Assembly Hall, London, by C.R. Fine
Production: Harold Lawrence

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